What I’m reading: Milk Cow Kitchen

I’m catching a flight to Seattle in less than 6 hours and I’m breaking one of my cardinal rules, which is to never, ever take a real book on a plane.  Real books are too heavy and clunky and they limit you to just one thing, whereas my Kindle offers a world of books in a teeny little device.  There’s only one thing that will make me break that tried-and-true rule and that’s a new book by MaryJane Butters.

If you aren’t familiar with MaryJane Butters and MaryJanesFarm, I have to ask you – what are you doing with your life?! Put down your iPhone, log off Facebook, and listen up.

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What I’m reading…

I’m in love.

With a book.

I checked out Barnheart: The Incurable Longing for A Farm of One’s Own by Jenna Woginrich from the library, fully planning to leave it on my iPad until I got to the airport next Monday for my flight(s) to Seattle.  That plan lasted all of…oh… seven minutes.  Before long, I had my eyes glued to the screen and now I’m stealing a minute or two here and there in order to read some more.

As I said before, I’m in love.

BarnHeart

Jenna’s memoir about establishing her farm on rented property in Vermont while living paycheck to paycheck is endearing.  Her prose is entertaining and she has a way with words that sucks the reader in.  (I mean, she talks about the “sun getting tired.”  How cute is that???)  I loved reading about her determination to get a small flock of sheep, her driving need to get a border collie, and her adoption of Finn, the most adorable baby goat to ever appear in any book.

I haven’t finished it yet.  In fact, I have 33% to go.  I’m trying to take it slow, even though I’m a fast reader, and savor it like a piece of decadent fudge.  It’s too beautiful, too entertaining a story, and I want that life.  As I sit in my townhouse, which is tucked under some trees but still close enough to a busy city street that I never escape the sounds of traffic, I realize how much I want that life.  I feel the longing deep inside.  It burns as strong as heartburn, but Tums will do nothing to take it away.  I want my own flock of hens and four (yes, exactly four) goats, as well as two horses and a passel of misfit dogs.  I want dirt under my fingernails.  I want the kind of satisfying, exhausted sleep that only comes after a day of hard labor.  When will I get to pluck a green pepper straight from the vine?

Jenna, though, has advice to offer about this exact question.  In the introduction of the book, she says:

“When your mind wanders like this and your heart feels heavy, do not lose the faith, and do not fret about your current circumstances.  Everything changes.  If you need to stand in the slanting light of an old barn to lift your spirits, go for it.  Perhaps someday you’ll do this every day.  For some, this is surely the only cure.”

I have plans for my very own garden and livestock and even my own barn.  They’re on hold until a few years down the road, after certain stock options have matured and are cashed out.  But the important part is that they’re there.  And as Jenna so wisely says, everything changes.  Until then, I, too, have barnheart.

Cookie-cutter fiction

So the thing about me is that when I find a new author I like, I read everything I can from that author.  This happened to me recently because I borrowed a book from the library (ebook version, of course) by Diana Palmer.  Because I have a thing for cowboys, I really enjoyed the book.  So then I borrowed about seven more from her.  By the time I was into the fifth one, I was pretty sure I’d read this book before.  That’s when I realized that all her books follow the same formula.  Young virginal woman + older man + tortured attraction + unrealistic characters who profess love in gorgeous prose = every Diana Palmer book. Ever.

The same can be said for Nicholas Sparks.  I know he’s wildly popular but his books wouldn’t be his books unless someone dies at the end, bringing everything full circle and leading to the main character(s) having profound realizations.

What is it with these authors?  Why do they publish the same book, over and over again?  Why does the reader never seem to mind and just keep buying them?  Is originality dead?  I mean, Colleen Hoover runs circles around Diana Palmer – yet Hoover had to self-publish at first!  As an aspiring author myself, I’m beginning to realize that there’s no rhyme or reason to getting published.  Janet Evanovich’s Stephanie Plum series is proof of that.  That series should’ve ended about ten books ago, yet it just keeps going and going and going.  Stephanie’s car blows up + Grandma Mazur is funny + Lula makes fat jokes + Stephanie can’t decide between Joe or Ranger (the answer is ALWAYS Ranger, in case you were wondering) = every book in the stupid series.

The only thing I can surmise is that readers aren’t picky and that there’s no accounting for taste (or the lack thereof).  50 Shades of Grey is proof of this!

The POV debate

As I have stated in a previous entry, I’ve had a long-time ban on books written in first person POV (known as FPPOV for the rest of this entry).  That ban ended, though, upon giving in and reading Colleen Hoover’s Hopeless, because then I read Slammed and Point of Retreat.  This past weekend, I read John Green’s The Fault in Our Stars, which is another book written in FPPOV, and also another book that had a gutting, heart-wrenching effect on me.

So all this crying I’ve been doing over these books lately – all written in FPPOV, no less – have me thinking:  is FPPOV the new “thing” in popular fiction?  Because all of these books that have knocked me to my knees with emotion are best sellers, and they’re all written in first person.   Is that where it’s at now in the world of fiction?

I’m struggling to write my own book.  Each and every sentence feels like a monumental task because I’m still trying to find my characters’ voices.  The idea of just one voice, flowing so freely in “me” speak, is appealing.  But I’m a third person kind of girl.  I love third person.  I’ve embraced it my entire writing life.  Third person POV and the Oxford comma are my two favorite parts of the writing process.  Can I write my story, and tell it as authentically as I want to, if I’m only inside one character’s head and only sharing her voice?  One of the reasons I love writing romances is because I have two characters who are world apart at the beginning who have to find their way to a spot where their orbits intersect.  If I’m only sharing one voice and one character’s thoughts, I can’t do that.

So what’s the answer – is FPPOV the way to go now?  Do readers have a particular narrative that they prefer?  Am I using this debate as just an excuse to put off writing even more?  I need answers!

Omigosh omigosh omigosh!!!!

One of my favorite authors of all time is LaVyrle Spencer.  Her novel Years is among my most-read books and it still makes me cry every time.  I just discovered that her novel Morning Glory was turned into a film in 1993 and it’s on Netflix!!!!  And it stars Christopher Reeve as Will Parker!!!  OMIGOSH OMIGOSH!!!!!!!!!

When a book leaves you shattered and moved and hopeful

I just finished reading this incredible book.

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Hopeless by Colleen Hoover.

This book is written in first-person.  One of my cardinal rules of reading is “never, ever read a book written in first person!”  The reviews for Hopeless, though, were so positive and glowing and full of fangirl key-smashing (both on Goodreads and Amazon) that I threw caution to the wind and click “Buy” anyway.  For once, I am absolutely relieved that I let go of my “no first person” rule because if I had, I would’ve missed out on this treasure of a book.

It starts off innocuous at first.  We meed Sky Davis, the narrator, who has been raised by a hippy-dippy mother whose aversion to technology and public education are both so severe that Sky was practically raised Amish.  However, Sky is about to start her senior year at a real, public high school while her best friend Six, who has a less-than-stellar reputation that has rubbed off undeservedly on Sky, goes of to Italy as an exchange student.  It’s obvious to the reader from the very beginning that Sky is “damaged” somehow, but it’s not clear why until much later.  As soon as Sky starts school, she meets Dean Holder.  He’s a “bad boy” with a reputation of his own and the word “hopeless” tattooed on his forearm.  He has a temper, a wealth of secrets, a past that is both fuzzy and frightening.  He also has heart-stopping dimples and a helluva physique (that made me feel guilty for lusting after him since he’s only 18) and his very presence makes Sky react to him in a way she never has to anyone else.

I’m not going to give the plot away because then you wouldn’t need to read this book, so all I will say is that Sky and Dean’s connection causes truths to be shared, secrets to be stirred up, and hard facts to be realized.  I will say that this book is far, far more than just a simple romance story.  It’s light-years beyond just being about two teenagers falling in love.  Trust me, this is no ridiculous, teenaged angst like Twilight. (Don’t get me wrong, Dean Holder sparkles, but not in an Edward Cullen kind of way.)

This book moved me.  Inspired me.  Gutted me.  I read the entire thing, from cover to cover (well, from 1% to 99% on my Kindle, anyway), in the span of about eight hours.  And then I flailed about it on Tumblr and Twitter.  And then I gifted three copies of it so that others can read this book.  It’s the kind of story that sticks with me long after I’ve finished.  Only a book or two a year ever do that to me and this one is definitely going to stay around.  In my head.  In my heart.

Read it.  You have to read it.  Here, here’s the link to it: go buy it right now.  And if you’ve read it, please leave me a comment to tell me how very much in “live” you are with Dean Holder, too!